The Pappa Don Radio Show #8

In this show, I welcomed the immensely talented and adorable Kimi Tortuga into the studio to help promote her talent in the local area.  Kimi is amazing.  She is world-traveled, mature, and grounded in her many pursuits.  I sincerely hope that I can get her back into the studio (now that she knows where it is) for more air-time in the future.  Check her out in the local area – she has a standing gig at the Green Iguana (on Westshore Blvd) every Sunday night from 10pm-2am.  Follow her page on Facebook:  https://www.facebook.com/kimitortuga as well as Intagram @kimitortuga.

 

The Pappa Don Radio Show #7

My second RECORDED Pappa Don Show – doing it live every Thursday night from 8-10 pm.  You can listen in over the ‘net with this link from the “Tune In” web site and mobile app:  WUTT.

In this show I celebrate the mega-hits of the 1980’s, with a phone-in from my pal Jon, who I went to high school with – He now lives outside of Denver, in the foothills of the Rockies.  Enjoy two hours of 80’s hits!

The Pappa Don Radio Show #5

This is my first RECORDED Pappa Don Show – doing it live every Thursday night from 8-10 pm.  You can listen in over the ‘net with this link from the “Tune In” web site and mobile app:  WUTT

I think you should also be able to listen to my first recording below!  Sort-of like a podcast, I guess…  Enjoy!  Playlist is from the Golden Age of Country (60’s hits) with my special guest, “Uncle Tony.”

Fear and Love – Creativity & Aesthetics Final Project

The Holiday season always brings me to a conflicted state.  In my opinion, the holidays are about the spirit of giving, sharing and caring for eachother.  That’s what makes humanity what it is.  All too often I see the ugliness of the holidays through peoples’ greed in excess and the direness of lives around us.  Homeless on the streets are often ignored in the pursuit of gifts for our close circles of family and friends.  We spend a few short days singing about peace and goodwill then go about our lives in active ignorance for the rest of the year.  In this video I originally intended to study those contrasts, but I ended up wanting to do something more.  I intend to highlight those opposing forces – the ugliness of our blissful ignorance in contrast with images of love, assistance, and care for our fellow mankind along with the world around us.

Initially this video focuses on our ignorance, our ugliness and how our societies are so polarized by the elite few who control our perceptions of those same societies around us.  However, the video moves to a place of peace and love, ending with images of hope and joy.  The message I intend to leave the audience with is a message of love, to be carried through the holiday season and beyond.

The form of this piece is time-based media, and the content is intended to initially give the audience a sense of frantic tension, followed by an easing into peace, joy and hope.  I used several elements to convey the feeling I wanted – color, movement and sound.  The soundtrack of this piece is from the Piano Guys, “Carol of the Bells” performed with cello.  I find it to be a dramatic work suited to the message I wanted to impart.  In the background, barely audible, is the constant of wind in a blizzard.  It is more prominent at the very end of the piece.

For color, I used the two primary colors of the holiday – red and green.  In this piece, red symbolizes tension, stress and fear.  The primary image of the tree is also inverted.  The tree is an analogy for the tree of life, inverted with the blowing snow in front of the tree nearly black, giving a dystopian feel to that recurring image.  Video clips are ponderous and disturbing, not quite giving the audience enough information to process until the 50 caliber machine gun firing, then transitioning to the elite who shape our perceptions.  These images turn into sensory overload before ending at the music’s transition.  At this point, color shifts from red to green, and the image of the tree shifts from negative to positive, conveying a harbinger of better things to come.

In the “green phase” of the video, green is used to give the content a peaceful, harmonious, calming feel.  Video clips and images of help, assistance and togetherness are used to give the audience some calm after the turmoil of the “red phase.”  Images and video clips of people helping one another in spite of the difficult situations around them convey a message of hope.  Groups of people taking time helping each other and the beings in the world around them denote a message of peace and care for everything in our environment, especially those people/other beings who desperately need humankind’s assistance.

Movement is only used in the early part of the piece in the video clips.  Images of the elite are all stills, to portray the transient nature of those who try to control our perceptions.  Later in the video, slight animation is used on the stills to draw audience focus to a particular element of the still, and to enhance the messaging by keeping the audience engaged with movement.  The “red phase” ends with a striking image of a demonic face.  I end the “green phase” with Mother Theresa, one who I consider the personification of pure love in the modern era.

I believe this piece gives the audience pause to reflect on their own lives and hopefully view the holiday season and their everyday lives from a different perspective.  A perspective of love instead of fear.

Literal & Symbolic Self Portrait…

For this assignment, we were to create a literal self portrait (how we see ourselves literally) and then a symbolic self portrait (how we see ourselves creatively)

I really struggled with this concept at first – how would I pose, literally?  What clothes should I wear?  Should I be doing something?  What should I do?  What am I, literally?  After much self-reflection, I settled on a bold idea.  I would portray the MOST literal image of myself.  Nude.

Devoid of life – no soul – a “meat bag”

Laying on the ground

Shot from above, powerless

Why not cover up? Why cover up?  I’m “not there” so to speak – it’s an image of nothing, no soul

Death

After more thought, the image told me other things

All my fear

Vulnerability

Awkwardness (I’m not a poser, not natural in front of the camera)

Situation was awkward

No “filters” – total exposure of WHAT I am – a simple physiological machine

A stick figure

No protection, no imagination, total transparency

I captured this moment of total transparency, total vulnerability, total exposure…I can now move on, acknowledging, compartmentalizing and rationalizing my fear of exposure.

Symbolic:  Connected shapes of what I love in the world:

Natural and man-made beautiful structures and patterns

The city of Tampa, a “big Town” with a small town feel

The thriving niche markets (micro-brews example) and all people following their goals

All things connected to many other things, both natural and man-made

The title of this work is “Fear and Love”

The first photo is a culmination of all my fear, captured and recorded, to move on from

The second photo is a small picture of all I love, to build upon that naked fear that lies below it. The fear is still there, but recognized and dealt with.

We ALL are driven by those two basic emotions – fear and love. We mostly spend our time in a place of fear.  If we can get to that place, capture it, examine it and rationalize it, we can move on.

Unless you get to that place of fear, you cannot see the world through the lens of love. When you can approach everything from a position of love first, all life, everything you do and all the relationships you have with those around you becomes so much easier.  Only then can you pursue the goals that really make you happy.

The first photo (Fear) was shot using a “Lensbaby” camera lens.  The Lensbaby is manual focus, manual aperture, with a physically moveable blur effect.  The show was intentionally blurry – minor Gaussian blur using Photoshop to make the image “Internet friendly.”

The second photo is a collage of several images – a large Mangrove tree, Tampa skyline, the downtown Tampa railroad bridge, Mr. Jonathan Huber playing keys and images from DeBine Brewing Company in Dunedin, FL.  The lowermost hexagon is the very first black & white film photo taken for this class – completely by accident.

Fear

Love

Assignment 5 – Cinemagraphs…

I never knew what a Cinemagraph was until I took this class.  After which, I immediately updated this website with a cool background cinemagraph I found online.  But I did have to make my own.  On a particularly bright Saturday I headed downtown and came across the play fountains at Curtis Hixon Park, just GLOWING with light – they seemed surreal, the light hitting the flowing water with the Tampa town center backdropped.  Kids were dancing in the shimmering splashes.  That was it…my challenging subject.

Assignment 4 – artist response…

Along the way I got really interested in macro photography.  I had always wanted to know how those intricate close-up photos were taken, and this assignment gave me the excuse to dive right in.  I learned about a beautiful technique in photography known as “focus stacking” – similar to HDR composites with exposure settings except using focus points rather than exposure.  I was hooked.  The link is my presentation on a macro photographer Jacky Parker and my “response” to her work, with a demonstration of my own focus-stacked subject.

Jacky Parker & Focus Stacking

A single image, very small depth of field.
The same subject, 17 separate images, focus-stacked using Photoshop, greater but controlled depth of field.

Assignment 3 – Composites…

This assignment really made me stretch out, and I totally loved trying to get a vision in my head onto a canvas.  This made me want to do composites forever.  The pieces of this work were photographed at the Tampa Club, in their wine locker.  Further, the “centerpiece” was shot separately in the Tampa Club’s first-floor lounge.  Three wardrobe changes and camera position changes later, this was assembled in Photoshop with lots of layer masks.  After assembly I realized that my composition could have been much better – too much emphasis on the room…I was swept up in the space.  But I did learn a lot about composition, which would come in to play in later assignments.

And yes, it’s all the same one person.

Assignment 2 – Portraiture…

My second assignment, portraits capturing the essence of people, focusing on lighting technique.  Along with Morgaine, I asked two other favorite people, Dr. Susan Hochman and Ms. Ridie Chapman to play along.

“A Girl and her Car.” Super-powerful Ridie Chapman and her super-powerful Pontiac Grand National.
“Escapism” – photographed at Mahuffer’s bar at Indian Rocks Beach. The most eclectic bar I’ve ever been to…with Dr. Kat oblivious to the mayhem around her, reading “War & Peace” with a bottle of Makers Mark…which should have been opened, IMO 🙂

Shutter Speed…

My first assignment for COM 381 – an exercise in shutter speed.  Morgaine soldiered up again and provided me subject matter for a quick photo shoot at Brandon Mall in front of their carousel.  Morgaine also got an impromptu greet and hug from a young girl who just wanted to know what was going on…sweet child.  The shots turned out pretty well after a little bump from Adobe Lightroom.  No modifications other than color/exposure tweaks.  The final photo was an attempt at backlighting…which I was just starting to explore.